For the exhibition The Sound Of Silence Quinda Verheul explored new pathways in her artistic practice which led to the realisation of an impressive installation work. Hanging from the ceiling of the gallery spaceThe Sound Of Silence presents the appearance of a constant and endless stream of sand, while the grains interact with multiple mirrors on the way down. The mirrors form a metaphorical element that invite spectators to reflect on themselves while simultaneously exploring different perspectives. This results in a powerful image which contains a confrontational layer, but is dominated by its aesthetic features and soothing effect.
Quinda Verheul immerses herself in the constantly changing landscapes and the influence that humans have on them. Increasingly, she became interested in sand and its scarcity. Humans use sand for the construction of concrete houses, factories, tunnels and roadways. However, there is no endless supply. Only specific grains (often found at riverbeds or seabeds near coasts) are suitable. Learning more and more about the subject, like the different types of sand that exist, the political situations that arise when there is a shortage of sand and the effect this has on the landscape and ecosystems, allows Quinda to delve deeper into the matter and develop the aesthetic form which ultimately shapes her work. The Sound Of Silence shares one part of the story.
